459 безплатни аудиофайлове за "Iv V I Progressions"

Augmented chord progression: I+ IV. Palmer, H. R. (1876). Palmer's Theory of Music, p.91-2. J. Church. [ISBN unspecified]

Augmented chord progression: I+#6 IV. Palmer, H. R. (1876). Palmer's Theory of Music, p.91-2. J. Church. [ISBN unspecified]

Augmented chord progression: I+ IV64. Palmer, H. R. (1876). Palmer's Theory of Music, p.91-2. J. Church. [ISBN unspecified]

Augmented chord progression: I+64 IV6. Palmer, H. R. (1876). Palmer's Theory of Music, p.91-2. J. Church. [ISBN unspecified]

Augmented chord progression: I+65 IV. Palmer, H. R. (1876). Palmer's Theory of Music, p.91-2. J. Church. [ISBN unspecified].

Українська: Й.С. Бах. Фуга dis-moll з І тому ДТК. Виконує Андрій Бондаренко. Запис здійснено апаратурою ВМУА на кабінетному роялі з хоровим строєм. Johann Sebastian Bach: Fugue in D-sharp minor, BWV 853, from Well-Tempered Clavier, vol. I. Performed by Andriy Bondarenko. The piano has a choir-like tuning, sorry :)

50s progression in C major, with different voicing.

Progression en do des années 1950, finissant en do. Fichier midi.

Prelude in B minor (J. S. Bach, arranged by Siloti), an arrangement of Bach's Prelude in E minor BWV 855a

Male v/o two samples as requested by member jhon62.

Augmented chord progression: I+75 IV. Palmer, H. R. (1876). Palmer's Theory of Music, p.91-2. J. Church. [ISBN unspecified]

A single bar from "Fugue No.17 in A flat", BWV 862, displaying contrapuntal polyphony. The piece is part of J. S. Bach's Das wohltemperirte Clavier, Part I. See: File:BachFugueBar.png

Українська: Й.С. Бах. Прелюдія es-moll з І тому ДТК. Виконує Андрій Бондаренко. Запис здійснено апаратурою ВМУА на кабінетному роялі з хоровим строєм.J.S. Bach. Preludio in E-flat minor from WTK vol. I (BWV 853). Performed by Andriy Bondarenko. The piano has a choir-like tuning, sorry :)

Schubert - op. 29, D.804, I, mm.144-49. Enharmonic modulation using a common viio7, enharmonic in two keys.

Ninth chord resolutions as recommended by Schoenberg based on the rules for seventh chords: dissonances resolve downwards and the fifth rises to the first scale degree. Root position (A), First inversion (B), Second inversion (C), Third inversion (D), and Fourth inversion, all V9-I, followed by a nondominant example in root position: I9-IV (E).

Ninth chord resolutions as recommended by Schoenberg based on the rules for seventh chords: dissonances resolve downwards and the fifth rises to the first scale degree. Root position (A), First inversion (B), Second inversion (C), Third inversion (D), and Fourth inversion, all V9-I, followed by a nondominant example in root position: I9-IV (E).

Ninth chord resolutions as recommended by Schoenberg based on the rules for seventh chords: dissonances resolve downwards and the fifth rises to the first scale degree. Root position (A), First inversion (B), Second inversion (C), Third inversion (D), and Fourth inversion, all V9-I, followed by a nondominant example in root position: I9-IV (E).

viio/V - V - I chord progression. Common in ragtime.

Ninth chord resolutions as recommended by Schoenberg based on the rules for seventh chords: dissonances resolve downwards and the fifth rises to the first scale degree. Root position (A), First inversion (B), Second inversion (C), Third inversion (D), and Fourth inversion, all V9-I, followed by a nondominant example in root position: I9-IV (E).

Ninth chord resolutions as recommended by Schoenberg based on the rules for seventh chords: dissonances resolve downwards and the fifth rises to the first scale degree. Root position (A), First inversion (B), Second inversion (C), Third inversion (D), and Fourth inversion, all V9-I, followed by a nondominant example in root position: I9-IV (E).

This sound is build from a roland v-synth sample and processed using ableton live effects such as the convolution reverb.

Performed by Mr And Mrs Ernest V Stoneman.

The secondary dominant chords of the key of C major, each given before the chord of which it is the dominant. Digital recording, made with an acoustic piano and Wavesurfer software by Opus33. This music is in the public domain. The recording is not copyrighted, and it is hereby released by Opus33 into the public domain. The following tag, though it is not quite accurate, is included in order to authorize this file according to the Wikipedia rules:

The sound of a steel ball rolling down a ramp with rubber bands spaced unequally apart. Recorded with my phone, an lg-v30 and trimmed using audacity.

Charleston rhythm, simple rhythm commonly used in comping. Ragtime progression.

Vintage 1976 cloth top vw bug. I searched the database for this sound with no luck. Luckily i had some friends that could help me out. 2 people (my friends terese and jb) opened and closed the cloth top while i sat in the passenger side recording. I used a zoom h6 with the the xyh-6 mic at 24 bit 48k.

Dominant seventh in Beethoven's Fifth Symphony, last movement.

Funny brian voice.

Made seamless in audacityproduced by blowing on headset microphone with distortion + added fire cracklesclosely resembles saturn v rocket boosters =).

viio6 as a substitute for V43 chord in Beethoven Piano Sonata in C major, Op. 2, No. 3, fourth movement.

Just messing around on my kit, going from the toms to the snare. I call it ' building up a head of steam. ' :^) recorded with yamaha pocketrak and edited on sony vegas. Please comment on what you may use it for. Thanks. :^).

One kick on an 80s ludiwg bass drum. Recorded with an sm 57. Slight muffling of echo with small pillow in drum. No compression added, nor any other effect.

Pouring some water in a bucket. Recorded with a neumann kmr 81i and a steinberg ur22.

In audacity i changed the pitch by 20% to make the wilhelm sound female.

Ludwig snare drum rim shot.

Did you know? various takes. Recorded on mp3, audacity, and adobe enhance speech.

V43 for comparison with viio6 as a substitute for V43 in Beethoven Piano Sonata in C major, Op. 2, No. 3, fourth movement.

Heart monitor steady, then slows down and stops, alarms for loss of vitals.

This a wonderful poem from friedrich nietzsche with the titel "der einsame" in german. Read by drt recorded with a zoom h2.

Please comment on what you will use it for. Thanks. :^).

1973 24" 3-ply maple kik drum www. Derekmurphy. Com.

I'd already been through an incident that i chose not to share. This would have been setting myself up for another. Wish i'd stuck to it.

Obvious, dude.

Well, at the time i certainly didn't.

Aww, i broke a damn blood vessel!.

Um. . . Its kinda like. . . Um. . . Drums? i think. . .

Snare, drum kit tama dw ludwig percussion hit sample drums.

I'm in.

This is an audio file of microsoft sam, the text to speech voice for windows. This time microsoft sam sans my roflcopter goes soy soy soy. I made this audio file using balabolka. Enjoy!.

I took the wilhelm scream and added a splash effect at the end to simulate a person jumping off from a dock or a boat into the water. The sound i used are from the public domain. The following sounds are:wilhelm scream (public domain). Splash (by blaukreuz) :by qubodup (creative commons 0)http://www. Freesound. Org/people/qubodup/sounds/212143/#. Splash loop. Wav :by northern rebel (creative commons 0)http://www. Freesound. Org/people/northern%20rebel/sounds/54959/.